12/18/2023 0 Comments Propresenter motion backgroundsCreate a new Prop (click the “Prop Edit” button in the bottom right-hand corner of the Props Panel).Here are instructions to help you get started. The best way to utilize these files is by placing them in a Prop. Feel free to use these files as Props and layers in ProPresenter presentations or when creating preroll videos in your video editing programs such as Final Cut Pro, Adobe Premiere Pro, or Davinci Resolve.ĭownload Pro Countdown Timer Videos How to use CMG Pro Countdown Timers with ProPresenter 7 These special files will be included in many CMG Packs that subscribers have access to from February 2015 and onward. These are QuickTime video files encoded using ProRes 4444 codec with embedded alpha channels. Starting today all CMG Subscribers can download CMG Pro Countdown Timers. These special pieces of visual content are hard to find and we wanted to do something about it. They provide much more flexibility than standard countdown timers because they can be placed over any background in ProPresenter or integrated into a video project. Experiment with them often enough and you will have an endless assortment of backgrounds for your projector screens every very weekend.There is a need among visual church media leaders for video countdown timers with transparent backgrounds (also known as alpha channels). There are an unlimited number of effects that can be achieved with even one of these techniques. Hopefully this tutorial gives you a feel for a couple of techniques to use in After Effects. For the most part they are just invisible layers. Nulls do little other than serve as parents, or hold on to key-frame or effects data. What even is a null? In After Effects, a null is exactly what it sounds like: it’s simply an empty layer. If I decided I to move the camera’s position or rotation relative to the orbit null at a later time I could still do so without moving the orbit null at all. The second reason is that parenting also preserves relative position, scale and rotation options for every child layer. I do this for a couple reasons, the first being that nulls are a little easier to use for animation. Moving the null will result in moving the camera. The camera becomes a “child layer” and it begins to move in tandem with the null. In the video tutorial, I pair our 3D camera to an orbit null. It simply consists of attaching layers (“children”) to other layers (“parents”) in terms of position scale and rotation. Parenting is a funny word to use in an editing program. We use depth of field in the video tutorial as a means of blurring out the foreground and background layers. By default, placing a 3D camera into the timeline will cause the perspective of the comp to become tethered to the cameras view.ģD camera’s have a number of features that mimic real cameras such as sensor size, focal length, and depth of field. In addition, the 3D camera works wonders for creating parallax motion, allows you to explore virtual environments, and simulates lenses when creating effects. This tool allows control of the composition in three-dimensional space. The “Mask Expansion” property is used to extend or contract the mask beyond its borders.Masks can affect the image’s opacity using “Mask Opacity".Masks can be tapered off by using the “mask feather” property or by drawing them on with the mask “Feather Tool.”.Mask Paths can be key-framed to animate over time.Combine that with a mix of 3D capabilities, animating tools and brilliant third-party plug-ins and there’s plenty to keep even the veteran motion designer busy. AE is perfect for creating motion backgrounds as it has a massively powerful command over two-dimensional stills and video footage. It comes included with a standard Adobe Creative Cloud subscription, and you’d be hard-pressed to find a church video or filmmaking department without at least one copy. If you’re not familiar with AE, it’s an effects editor that offers a vast number of advanced production techniques without requiring a highly skilled operator. We'll start with Adobe After Effects (AE), though many of the techniques here will transfer to other programs. Woody Davis will be leading the break out session "Action and Animation: Combining Motion Graphics with Live Video Footage." Learn more and register here.įirst, you'll need access to visual effects software. So, if you're not using motion graphics for backgrounds, or if you'd like to take your motion graphics to the next level, here's how you can get started today.Įditor's Note: Want to learn more? Join us at the Content Creation and Filmmaking Summit August 1, 2017 in Raleigh N.C. Motion graphics are a great way to draw and keep attention on text-based slides. If you’re filmmaker, tech director, or even a video production volunteer, you likely notice the images behind the lyrics and sermon notes on the projection screens as much as the text itself.
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